Several months ago, I decided to put my noir collection, 8 Tales of Noir, into the Booktrack
program after hearing an interview with CEO and co-founder of Booktrack, Paul Cameron, conducted by Joanna Penn of the Creative Penn. The thing Paul said that closed the deal for me was that as a fairly new
platform, new authors could gain traction by being one of the few options
available on the site. Those weren’t his exact words, but that was the gist I
took from it.
For the uninitiated, Booktrack is a website and app that
allows readers to listen to a soundtrack which is partly synced to their
reading rate. Thematic music is a part of the experience, but there are also
sound effects. The music and ambient noises begin when the reader enters a
scene, and once the program learns your reading speed, it times sound effects
to coincide with when the reader reaches a specific event.
So I spent about a week late at nights creating a Booktrack
version of my book. All tolled, it probably consisted of about a 20-hour
investment of my time. I found the interface easy to learn and apply, and the
process was actually kind of fun – once.
If I had to do it for all of my books, I’m certain the process would quickly
become a chore. And luckily, Booktrack offers professional services for those
who do not wish to compile their own, or be bothered learning the process.

When it was all said and done, on Valentine's Day I pressed publish, and …
nothing.
Of course there's always the possibility that my book isn't selling because it's not enticing enough. That's a possibility, but not a certainty. However, one certain thing is that it can't sell if it's utterly undiscoverable.
It's a shame too. The Booktrack version of my book is pretty dang cool. You should check it out.
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