Editor's Note:Renée Pawlish is the mastermind behind the monthly Team Mystery Thriller promos. She doesn't even have a dog in the race this month, but she generously coordinates and hosts the promo anyway.
Renée Pawlish is the award-winning author of the bestselling Reed Ferguson mystery series, the Dewey Webb mystery series, horror bestseller Nephilim Genesis of Evil, The Noah Winters YA Adventure series, middle-grade historical novel This War We're In, Take Five, a short story collection, and The Sallie House: Exposing the Beast Within, a nonfiction account of a haunted house investigation.
Renée has been called "a promising new voice to the comic murder mystery genre" and "a powerful storyteller". Nephilim Genesis of Evil has been compared to Stephen King and Frank Peretti.
Renée was born in California, but has lived most of her life in Colorado.
This Doesn't Happen in the Movies
A wannabe private eye with a love of film noir and detective fiction.
A rich, attractive femme fatale.
A missing husband.
A rollicking ride to a dark and daring ending
Reed Ferguson’s first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed’s not too bright neighbors, and Cal, Reed’s computer geek friend, This Doesn’t Happen In The Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart.
“I want you to find my dead husband.”
“Excuse me?” That was my first reaction.
“I want you to find my husband. He’s dead, and I need to know where he is.” She spoke in a voice one sexy note below middle C.
“Uh-huh.” That was my second reaction. Really slick.
Moments before, when I saw her standing in the outer room, waiting to come into my office, I had the feeling she’d be trouble. And now, with that intro, I knew it.
“He’s dead, and I need you to find him.” If she wasn’t tired of the repetition, I was, but I couldn’t seem to get my mouth working. She sat in the cushy black leather chair on the other side of my desk, exhaling money with every sultry breath. She had beautiful blond hair with just a hint of darker color at the roots, blue eyes like a cold mountain lake, and a smile that would slay Adonis. I’d like to say that a beautiful woman couldn’t influence me by her beauty alone. I’d like to say it, but I can’t.
“Why didn’t you come see me yesterday?” I asked. Her eyes widened in surprise. This detective misses nothing, I thought, mentally patting myself on the back. She didn’t know that I’d definitely noticed her yesterday eating at a deli across the street. I had been staring out the window, and there she was.
The shoulders of her red designer jacket went up a half-inch and back down, then her full lips curled into the trace of a smile. “I came here to see you, but you were leaving for lunch. I followed you, and then I lost my nerve.”
“I see you’ve regained it.” I’ve never been one to place too much importance on my looks, but I suddenly wished I could run a comb through my hair, put on a nicer shirt, and splash on a little cologne. And change my eye color – hazel – boring. It sounded like someone’s old, spinster aunt, not an eye color.
She nodded. “Yes. I have to find out about my husband. He’s dead, I know it. I just know it.” Her tone swayed as if in a cool breeze, with no hint of the desperation that should’ve been carried in the words.
“But he’s also missing,” I said in a tone bordering on flippant, as I leaned forward to unlock the desk drawer where I kept spare change, paper clips, and my favorite gold pen. Maybe writing things down would help me concentrate. But I caught a whiff of something elegant coming from her direction, and the key I was holding missed the lock by a good two inches. I hoped she didn’t see my blunder. I felt my face getting warm and assumed my cheeks were turning crimson. I hoped she didn’t see that either.
Perhaps I was being too glib because she glanced back toward the door as if she had mistaken my office for another. “This is the Ferguson Detective Agency? You are Reed Ferguson?”
“It is and I am.” I smiled in my most assured manner, then immediately questioned what I was doing. This woman was making no sense and here I was, flirting with her like a high-school jock. I glanced behind her at the framed movie poster from the The Big Sleep, starring Humphrey Bogart and Lauren Bacall. It was one of my favorites, and I hung the poster in my office as a sort of inspiration. I wanted to be as cool as Bogie. I wondered what he would do right now.
She puckered pink lips at me. “I need your help.”
“That’s what I’m here for.” Now I sounded cocky.
The pucker turned into a fully developed frown. “I’m very serious, Mr. Ferguson.”
“Reed.” I furrowed my brow and looked at my potential first client with as serious an expression as I could muster. I noticed for the first time that she applied her makeup a bit heavy, in an attempt to cover blemishes.
“Reed,” she said. “Let me explain.” Now we were getting somewhere. I found the gold pen, popped the top off it and scrounged around another drawer for a notepad. “My name is Amanda Ghering.” She spoke in an even tone, bland, like she was reading a grocery list. “My husband, Peter, left on a business trip three weeks ago yesterday. He was supposed to return , but he didn’t.”
If you'd like to check out Renée's books, her links are just below. Or to check out the promo, go to Renée Pawlish's website where all of the books in this giveaway are available.
You can also find It Doesn't Happen in the Movies at the following links: