The Killing is
probably best-known as one of the finest examples of the noir film genre ever
made. Directed by a young Stanley Kubrick, it was adapted from the novel Clean Break by Lionel White. Starring Sterling
Hayden and Coleen Gray, it tells the story of a newly released con, Johnny
Clay, and the crew he has patched together to pull off a race track heist which
he’s been planning for years while cooped up in the joint. The plan relies on
Clay finding a number of otherwise honest men with money issues who he can
cajole into ignoring their consciences for just a few minutes during the
biggest horse race of the year in order to reap a huge payoff.
Things go awry when one of the team’s members, George
Peatty, a mild-mannered bet window operator with a wife too hot for him by
several degrees, let’s slip to his unfaithful bride, Sherry, that he’s due to
come into a big score. The story in the novel is told in third person, and the
plot is slowly unveiled one chapter at a time until all of the pieces come
together in the third act when the heist goes down without a hitch but somehow
Johnny Clay’s dreams still manage to fall apart.
A huge Kubrick fan, I watched the movie years ago but had
never bothered to read the book, even though heists and noir are among my
favorite pastimes. Then I saw that Mike Dennis had released an audio version of
the classic novel using the more familiar movie title, and I was in. Mike
gifted me a copy, and I devoured it in three days.
Mike Dennis |
Mike’s voice perfectly captures the mood. He has a somewhat
classic tone in the narration, like a 60’s period news reader, his cadence is
smooth and unclipped, but the pacing never drags. Meanwhile the nuances of
Peatty’s meakness and Clay’s bravado shine through in the dialog. In fact, the
entire cast comes off as individuals despite all being voiced with only subtle
variation by the same narrator.
Mike has cleverly begun carving out a niche in the narration
biz, finding old properties that fit his voice which the right’s holders haven’t
bothered to give the audio treatment, and working out a deal. They don’t make
movies like this anymore. They don’t write books like this anymore either. But
thanks to talented and clever men like Mike Dennis who see the opportunity, an
entire new generation can still be teleported back to the days when they did,
and the world is all the richer for it. I seldom give full star ratings, but there’s
really nothing in this nostalgic production to complain about.
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