J.J. Chow writes Asian-American fiction
with a geriatric twist. She has a gerontology specialization from Cornell University
and a Master’s in Social Work with geriatric field experience. She lives in Los
Angeles and is a member of Sisters in Crime. You can follow her blog and find
more about her other writing at www.jenniferjchow.com
Her latest title is Seniors Sleuth. Here’s the book description:
Winston Wong used to test video games but has left his downward spiralling career to follow in the footsteps of Encyclopedia Brown, his favorite childhood detective. When the Pennysaver misprints his new job title, adding an extra “s” to his listing, Winston becomes a “Seniors Sleuth.” He gets an easy first case, confirming the natural death of a ninety-year-old man. However, under the surface of the bingo-loving senior home is a seedier world where a genuine homicide actually occurred. Winston finds himself surrounded by suspects on all sides: a slacker gamer administrator, a kind-hearted nurse, and a motley crew of eccentric residents. To validate his new career choice (and maybe win the girl), he must unravel the truth from a tangle of lies.
Who
are your influences?
1) Agatha
Christie: She was the author who started my love
for mysteries. I have great memories of reading her stories together with my
mom.
2) Jean
Kwok: She writes authentic Asian-American stories
about struggling with identity and overcoming obstacles. I’ve met her both
virtually and in person, and she continues to inspire and encourage me in my
writing.
3) Amy
Tan: She really paved the way for Asian-American
writers and helped me discover the intriguing aspects of my heritage.
When did you begin
writing?
I started creating imaginary adventures in my head as a little kid.
This evolved into actually banging away on a typewriter in my elementary years.
As I grew older, I edited newspapers, literary magazines, and other
publications.
How do you come up with
your stories, characters, character names, POV, etc?
By osmosis. Something from the real world will spark an image, a
word, or a theme. Then it blooms organically from there. Often, though, I add
in character names or traits from people around me. I wonder if they can tell…
Do you work from an
outline?
Yes, I need to have some sort of structure. I usually have the
beginning and end, along with the major conflicts. At the same time, it’s
relatively loose so I can allow for sudden surprises that the characters give
me. With mysteries, though, I do need to make sure I have a timeline and a
chart with all the clues and red herrings involved.
Tell me about your
favorite scene in your novel.
Wow, it’s really hard to choose. I must say, though, that I love the
set-up. The main character Winston Wong wants to open an official detecting
business, but a typo in an advertisement makes him a “seniors” sleuth, so an
elderly client comes calling. (I also like when he meets Kristy, his love
interest, and tries to win her over by dousing himself with Macho aftershave.)
Can you tell us a little
about your writing philosophy?
1) Sit in
chair and write. Writing involves a lot of discipline, so it’s important to
have a regular schedule of committing words on to paper (or computer).
2) Read a
lot of books. (Then go back to step 1.)
Have you ever tried
writing in any other genres?
Yes, I tend to love writing different kinds of stories. It makes my
brain feel flexible. My debut novel, The 228 Legacy, was multicultural women’s fiction.
I also have a multicultural YA novel coming out at the end of the year.
Do you have any
interesting writing-related anecdotes to share?
I felt like Winston Wong at a recent speaking event. All this tech
trouble came to trip me up. What I thought was a simple Q&A event turned
out to be a speaking engagement because of waylaid emails. Then the Internet
wasn’t working for the venue, so I couldn’t download a needed video.
Thankfully, I realized I had it attached to an email as well, and some kind
soul helped to save the day.
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